At the turn of the twentieth century, the spiritual and social movements Theosophy and later Anthroposophy became a strong source of inspiration for the pioneers of modernism and abstract art: Kandinsky, Mondrian, Malevich – and Hilma af Klint. In 1906 the Swedish artist began painting her first abstract series, Primordial Chaos, featuring blue, green and yellow geometrical shapes and spirals. Her main work, Paintings for the Temple, expresses what she calls the higher truth: unity beyond duality and the material world and mankind’s spiritual evolution. What was the zeitgeist that inspired such an eruption in art? This anthology, based on a seminar held at the Guggenheim museum at the opening of their acclaimed exhibition Hilma af Klint: Paintings for the Future in October 2018, elaborates on this cultural phenomenon.

In 1917 Annie Besant (1847-1933), a white Englishwoman, was elected president of the Indian National Congress, the body which, under the guidance of Mohandas Gandhi (1869-1948), would later lead India to independence. Besant - in her earlier career an active atheist and a socialist journalist - was from 1907 till her death the president of the Theosophical Society, an international spiritual movement whose headquarters' location in Madras symbolized its belief in India as the world's spiritual heart. This book deals with the contribution of the Theosophical Society to the rise of Indian nationalism and seeks to restore it to its proper place in the history of ideas, both with regard to its spiritual doctrine and the sources on which it drew, as well as its role in giving rise to the New Age movement of the 20th century. The book is the first to show how 19th century Orientalist study dramatically affected the rise of the Theosophical ideology, and specifically demonstrate the impact of the work of the Anglo-German scholar, Friedrich Max Muller (1833-1900) on Mme Blavatsky (1831-1891), the founder of the Theosophical Society.

In 1917 Annie Besant (1847-1933), a white Englishwoman, was elected president of the Indian National Congress, the body which, under the guidance of Mohandas Gandhi (1869-1948), would later lead India to independence. Besant - in her earlier career an active atheist and a socialist journalist - was from 1907 till her death the president of the Theosophical Society, an international spiritual movement whose headquarters' location in Madras symbolized its belief in India as the world's spiritual heart. This book deals with the contribution of the Theosophical Society to the rise of Indian nationalism and seeks to restore it to its proper place in the history of ideas, both with regard to its spiritual doctrine and the sources on which it drew, as well as its role in giving rise to the New Age movement of the 20th century. The book is the first to show how 19th century Orientalist study dramatically affected the rise of the Theosophical ideology, and specifically demonstrate the impact of the work of the Anglo-German scholar, Friedrich Max Muller (1833-1900) on Mme Blavatsky (1831-1891), the founder of the Theosophical Society.